Living in Nice, south of France, in s, Van de Wall was known as compositeur javanais or Javanese composer and although he had a typically sounding Dutch name, this title came to epitomize his knowledge and understanding of Javanese culture. Paul Seelig was not born in the Indies, but he spent most of his life in Java and died of exhaustion after being released from a Japanese prison camp in Batavia in June Firstly he was active in Solo, and then he moved to Bangkok and Johor before finally settling down in Bandung. Pakoe Boewono X of Solo appointed Paul Seelig in to set up a palace symphony orchestra and he had to start from scratch, practically training every single musician.
Yet, a year later the twenty-member orchestra performed for the first time. In its heyday the orchestra consisted of 90 players and during his time at the palace Paul Seelig managed to collect gamelan themes, which he published as Gending Djawi The fact is that, at the invitation of the King, Seelig went to live in Bangkok for the second half of This was followed by several visits during which he stayed for several months at a time in Bangkok.
Seelig also studied Siamese music, which he later published as a collection, as well as his Rhapsodie siamoise He eventually chose to settle in Bandung and established a music publishers company Matatani, which disseminated many of his works, among which were songs with piano accompaniment e.
But for the Indonesian music history other Eurasian composers have by far played a more prominent role.
They are unmistakably the first to have composed a unifying music of East and West and thus succeeded in creating a unique musical fusion. However, the question remains as to why these Eurasian composers never attained the same acclaim as Debussy or other composers who encountered gamelan in Europe?
This fact did not change notably in the possession of her colonies, no matter how big they were. If we consider the influence of the Paris Exhibition, despite the fact that a second-class gamelan ensemble performed there, two centuries later it is still in the public memory, rather than the National and Colonial Industrial Exhibition held in Arnhem in , where the first ever-Javanese professional gamelan ensemble performed in Europe. Colonialism can be a catalyst for creating a marriage between different musical genres, as that which occurred between gamelan and Western classical music.
Regrettably, however, Dutch colonialism, while teeming with such marriages, failed to generate sufficient appreciation and public awareness of their offspring and led to the burial of a large body of music influences. These require a more detailed inquiry to clarify the musical convergences that arose through colonial encounters. Bloembergen, Marieke. Cohen, Matthew Isaac. Basingstoke: Palgrave Macmillan.
Les Estampes, No. 1: Pagodes scored for Piano Solo
Suffolk: The Boydell Press. Fauser, Annegret. Rochester: University of Rochester Press. Franz Liszt. Handel's Organ Concertos. Handel: Aylesford Pieces. Haydn Piano sonatas. Haydn's String Quartets Opus Johann Kuhnau: Uns ist ein Kind geboren.
Les Estampes, No. 1: Pagodes Sheet Music by Claude Debussy
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